O soft embalmer of the still midnight,
Shutting with careful fingers and benign
Our gloom-pleas'd eyes, embower'd from the light,
Enshaded in forgetfulness divine;
O soothest sleep! if so it please thee, close,
In midst of this thine hymn, my willing eyes...from
Sonnet to sleep by John Keats
TRACKLIST
Close my willing eyes (1999) on poems by John Keats
for three sopranos, string trio, three flutes, harp and percussion
I. Gloom-pleased eyes
II. Hymn
III. Scenes of bliss
Les racines du monde (1998)
for piano
Dans l'eau du songe (2005)
for bass clarinet, cello and piano
Tout près de l'eau (1995) on poems by Jacob Slauerhoff
for mezzo soprano and flute
part I
part II
Étoiles peintes (2000)
for string trio
La couleur du vent (1996)
for flute
Monody (1992/1995)
for piano
Serenade (1991)
for harp, two piccolos and percussion
"According to a persistent misconception about serial music, the systematic, rather rational bill of this kind of music would prescribe a ditto listening attitude to the listener. Nothing could be further from the truth! The rules the composer imposes on himself only apply in his study, and no longer in the concert hall. There, after all, Vanhecke opens the gate of his poetic universe, and lets the music - atonal and amotivious, yes - tell about the colours of the wind, the roots of the world and the brilliance of the stars. Who is willing to hear this, despite and thanks to the complexity of Vanhecke's music?"
With this paragraph, musicologist Jan Christiaens concludes his argument in the booklet of the brand-new CD of music by Bart Vanhecke (°1964). The fusion of seriality and poetry so vaunted in the text is probably the reason why so many performers have spontaneously started to explore Vanhecke's music. The fact that his compositions have also received striking praise on international occasions such as the ISCM World Music Days (Yokohama, Basel, Stuttgart) in recent years is therefore not really a surprise.
Surprisingly, though, no music by Vanhecke has appeared on CD until now.